Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we no longer have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Origami facile
Kent du Pre
has done such work with Symmetric figures such as stars from which flowers can be folded away. Irregular figures have made an appearance occasionally, but the most extreme form only occurs in Paper Magic with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course strongly related to paper slicing. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive width. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical Bateau En Papier Sur L'eau of very early Japanese Origami.
Origami fleur
Uchiyama is reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are filled with slitting to achieve ears or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to give enough points for the thighs. Rohm folded his Circus pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new Fabriquer Un Bateau En Papier Qui Flotte opportunities and the other to avoid the complexities of a model achieved exclusively by folding.
Fleur origami
Within a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling That is now usual in animal folds to call for a final modelling particularly when foil has been used and one can be certain of the material remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The technique of wetting the paper is apparently Japanese in origin was Avion En Papier Planeur Pliage Facile demonstrated by Yoshizawa at a Convention in Liverpool. Another method of damp moulding using paste in the preparation is mentioned by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds up tend to be soft and that we are approaching statue rather than Origami.
Bateau en papier
The associated arts are Weaving cloth and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the finish to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer technique is exploited for the own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of paper each folded to represent some part of the creature and then brought together. The concept may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have came out for folding a monster from a number of pieces of different sizes.
Comment faire un avion en papier
Inside the most extreme combos of water and document we are, naturally , in the world of fun which is evidently an open-ended art. DecoratingThe easiest step from a single color is one side female and one white or plain. A great offer of modern Origami uses this colour difference. A new delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form Origami Heart With Wings of decoration occurs in Japanese papers which are already printed with a design well suited for a special model. The end of this process is evidently the decoration of the ultimate model and therefore into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The trimming out of holes and so on. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously coping with method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Origami Instructions Swan Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and obviously here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its most basic form we might use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or card. The most unusual form of 'display mechanics' that I am knowledgeable about is by Toyoaki Kawai.
